Tied to the mast
…but orange now and black

Wall-E’s credits

Artofthetitle.com has an interview up with the Jim Capobianco and Alexander Woo (Wall-E’s director and animator) about Wall-E’s closing credits—widely hailed by me and people with whom I’ve spoken about it as the awesomest closing credits ever. Gets into some interesting nitty gritty. Here’s a sample:

ATS: What were your references? Why were these eras chosen?

JC: Andrew told us to make it as if you opened one of those enormous art history books we all had as art students. The difficulty was in what art to show, how to integrate it into the narrative and then to keep the animation economical. We knew from Kevin O’Brien’s beat boards that we would start with cave paintings but in Kevo’s initial pitch of the idea the art was all over the place. So we had to figure out timeline wise how to proceed. We soon realized that about the time of the Renaissance, art becomes associated with particular artists and more specific to that artist.

Before that it is easier to generalize the art. Some Egyptologist might be able to tell you who created certain Hieroglyphs but the audience is just going to lump together Egyptian Hieroglyphs. They are graphic, the greek pottery and mosaics also very graphic and lent themselves to a stylized simple form of animation but once you get into the renaissance everyone is saying that is Da Vinci or Michelangelo and things get complicated. You begin to ask yourself, “Are we saying that the Axiom Humans had another Da Vinci?” And it gets worse the more modern you get. So we started to refer to each section as a period and had to find an iconic style to represent that time in art which inevitably became associated with a famous artist of that time.

Smoke that blogbytom.

Hat-tip Kottke

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